Postpartum Depression and Intersectionality in Damilola Orimogunje’s for Maria Ebun Pataki

Abstract

It is the nature of film everywhere to create its universe from the world around it. Nollywood has achieved a remarkable measure in this regard. One significant area is in the representation of mental health issues and postpartum depression (PPD) specifically. For Maria Ebun Pataki stands out among other Nollywood films for the manner in which it has deployed and exploited postpartum depression in its thematic horizons. Using purposive sampling, the film is analysed through a close textual and extratextual reading. The theoretical framework adopted is framing theory within the broad context of intersectionality. Major finds include: For Maria Ebun Pataki is a family drama oriented towards mental health issues/PPD from a purely non-conventional approach. The film frames how gender, culture and social stratification intersect to shape women’s experiences of postpartum depression. Postpartum depression is validated as a legitimate medical and social issue. The film reflects cultural misunderstandings and handicaps about postpartum depression and its victims. The advocacy potential of the film is great.